You can even expand the effects section (and indeed delve deeper into what the Katana can do) by plugging the amp into your computer via the USB on the back and using the Boss Tone Studio Software. You can use an optional boss FS-6 footswitch alongside the Katana 50 MKII, though this will only let you switch between your preset banks. Also, once an effect is on, the only way to switch it off is to dial the knob anti-clockwise back to 0 - there’s no bypass switch. It’s easy to dial in your desired sound - the only thing is you might struggle adjusting your settings on the fly at a gig. The control panel has been cleverly designed, with two out of the three knobs acting as two in one - the lower part controls one effect, and the top part another so both can be controlled independently. You can now also use up to five effects simultaneously, giving you lots of scope to create some really cool sounds. It’s also really handy having the amazing effects section at your disposal for acoustic too. The sound you’ll get will depend on your guitar’s pickup, but when we tried it, the Katana 50 MKII acted as a nice clean and neutral palette for the Taylor we plugged into it. Like the old version, there is an acoustic setting too, so you can use acoustic electrics with this as well. There might not be quite enough gain on tap for super heavy metal or djent players, but classic metal and heavy rock players will have more than enough to play around with. It does high-gain tones very well, without ever sounding fizzy or harsh. The amp feels and responds really well too - is it exactly the same as playing through a tube amp? Probably not, but it isn’t far off, plus you’ve got a lot of extra versatility here. The Boss Katana 50 MKII has a good amount of low end too, so it’s sometimes easy to forget that you’re only playing through a 1x12” combo amp. Gradually increase the gain knob and you’re right into classic rock territory.
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